Design The New Business

@3 months ago with 1 note
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Comprar, Tirar, Comprar - Obsolescencia Programada

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Well Proven Chair by James Shaw and Marjan Va Aubel

@3 months ago
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design-beats:

Bluetooth Speaker is a minimal design created by Japan-based company Muji. As an upgrade to Naoto Fukasawa’s coveted minimalist CD player, this mountable music player is a much more useful design. A simple tug on the speaker’s power cord turns it on and off, and any Bluetooth enabled device need only be within 30 feet to maintain its connection.

@3 months ago with 18 notes
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(Source: yoopuriinn, via fuckyeahhedgies)

@3 months ago with 6973 notes
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Marcin Jakubowski: Open-sourced blueprints for civilization

@3 months ago
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Rhythm 0, 1974 To test the limits of the relationship between performer and audience, Abramović developed one of her most challenging (and best-known) performances. She assigned a passive role to herself, with the public being the force which would act on her. Abramović had placed upon a table 72 objects that people were allowed to use (a sign informed them) in any way that they chose. Some of these were objects that could give pleasure, while others could be wielded to inflict pain, or to harm her. Among them were a rose, a feather, honey, a whip, scissors, a scalpel, a gun and a single bullet. For six hours the artist allowed the audience members to manipulate her body and actions. Initially, members of the audience reacted with caution and modesty, but as time passed (and the artist remained impassive) people began to act more aggressively. As Abramović described it later: “What I learned was that… if you leave it up to the audience, they can kill you.” … “I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation.”

Rhythm 0, 1974 To test the limits of the relationship between performer and audience, Abramović developed one of her most challenging (and best-known) performances. She assigned a passive role to herself, with the public being the force which would act on her. Abramović had placed upon a table 72 objects that people were allowed to use (a sign informed them) in any way that they chose. Some of these were objects that could give pleasure, while others could be wielded to inflict pain, or to harm her. Among them were a rose, a feather, honey, a whip, scissors, a scalpel, a gun and a single bullet. For six hours the artist allowed the audience members to manipulate her body and actions. Initially, members of the audience reacted with caution and modesty, but as time passed (and the artist remained impassive) people began to act more aggressively. As Abramović described it later: “What I learned was that… if you leave it up to the audience, they can kill you.” … “I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation.”

(Source: soyclayojn)

@3 months ago with 132 notes
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Birdman - Portugal

@3 months ago
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The Story Of Stuff

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(via renaengland)

@3 months ago with 1986 notes
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isaurohuizar:

Cada objeto es un retrato.

isaurohuizar:

Cada objeto es un retrato.

@3 months ago with 2 notes
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Eben Bayer: Are mushrooms the new plastic?

@3 months ago
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(You Will) Set the World On Fire by David Bowie on Grooveshark

(You Will) Set the World On Fire - David Bowie

@3 months ago with 1 note
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